In 1995, they won our hearts with the honesty of Before Sunrise. In 2004, that resonant magic was revisited in Before Sunset. Now, in the eagerly anticipated third chapter in the star-crossed tale of Jesse and Celine, Richard Linklater fast-forwards to nine years after the last meeting in what just may be the ending to the perfect trilogy.
THE EAST, a suspenseful and provocative espionage thriller from acclaimed writer-director Zal Batmanglij and writer-actress Brit Marling, stars Marling as former FBI agent Sarah Moss. Moss is starting a new career at Hiller Brood, an elite private intelligence firm that ruthlessly protects the interests of its A-list corporate clientele.
Frances (Greta Gerwig) lives in New York, but she doesn't really have an apartment. Frances is an apprentice for a dance company, but she¹s not really a dancer. Frances has a best friend named Sophie, but they aren't really speaking anymore. Frances throws herself headlong into her dreams, even as their possible reality dwindles. Frances wants so much more than she has but lives her life with unaccountable joy and lightness.
Mud is an adventure about two boys, Ellis and his friend Neckbone, who find a man named Mud hiding out on an island in the Mississippi. Mud describes fantastic scenarios - he killed a man in Texas and vengeful bounty hunters are coming to get him. He says he is planning to meet and escape with the love of his life, Juniper, who is waiting for him in town. Skeptical but intrigued, Ellis and Neckbone agree to help him. It isn’t long until Mud’s visions come true and their small town is besieged by a beautiful girl with a line of bounty hunters in tow.
STORIES WE TELL unpeels the complex life of Diane, an aspiring actress and mother, and the shockwaves that a series of impulsive actions unleash on her children, husband and community. With this groundbreaking new feature that seamlessly blends past and present, the real and imagined, Polley's characteristically unflinching yet compassionate gaze delivers a level of depth and emotion only hinted at by her acclaimed earlier directorial works, AWAY FROM HER and TAKE THIS WALTZ. Making STORIES WE TELL that much more memorable is the revelation that the mother depicted—and family in question—is Polley's own.
‘The Audience is going to be one of the theatrical highlights of 2013.’
Helen Mirren reprises her Academy Award winning role as Queen Elizabeth II in the highly-anticipated West End production of The Audience, broadcast as part of National Theatre Live.
After a pair of expensive historical epics (Gangs of New York, The Aviator) Martin Scorsese returns to the well for this blistering crime thriller about cops and robbers in South Boston. A remake of the Hong Kong hit Infernal Affairs (2002), it stars Jack Nicholson as a ruthless mobster, Martin Sheen as captain of an undercover police unit, and Matt Damon and Leonardo DiCaprio as the young men they send to spy on each other. Neither spy knows the other's identity, and their cover is so deep each runs the risk of being stranded in his new life.
This eye-opening documentary lays bare the dirty little secret of America’s War on Terror: all bets are off, and almost anything goes. Drone strikes, night raids and government–condoned torture occur in hidden corners across the globe, generating unprecedented civilian casualties. Investigative reporter Jeremy Scahill traces the rise of the Joint Special Operations Command, the most secret and elite fighting force in U.S. history, exposing covert ops, unidentifiable fighters who act with impunity and “kill lists” where no target is off-limits.
Eighteen-year-old Shira (Hada Yaron) is the youngest daughter of the family and is about to be married off to a very promising young man of the same age. On Purim, her twenty-eight-year-old sister, Esther (Renana Raz), dies during childbirth, leaving her husband to care for the child and postponing Shira's promised match.
Martin Scorsese collaborated with Nicholas Pileggi on this 1990 adaptation of Wiseguy, Pileggi's nonfiction book about gangsters in Brooklyn, and in terms of narrative fluidity it may well be the most accomplished thing Scorsese's ever done. Set between the mid-50s and the mid-80s, the semifictionalized story centers on a half-Irish, half-Sicilian Mafia recruit (Ray Liotta)—who narrates along with the Jewish woman (Lorraine Bracco) he eventually marries—and the other gangsters in his immediate circle (Joe Pesci, Robert De Niro, and Paul Sorvino).
The sublime Barbara Sukowa reteams with director Margarethe von Trotta (Vision, Rosa Luxemburg) for her brilliant new biopic of influential German-Jewish philosopher and political theorist Hannah Arendt.
Mads Mikkelsen (NBC's Hannibal, A ROYAL AFFAIR, CASINO ROYALE) won the Best Actor Award at the 2012 Cannes Film Festival for his penetrating portrayal of Lucas, a former school teacher who has been forced to start over having overcome a tough divorce and the loss of his job. Just as things are starting to go his way, his life is shattered when an untruthful remark throws his small community into a collective state of hysteria. As the lie spreads, Lucas is forced to fight a lonely fight for his life and dignity.
When it appears as though the end is in sight, the pilots, flight crew, and passengers of a plane heading to Mexico City look to forget the anguish of the moment and face the greatest danger, which we carry within ourselves.
Martin Scorsese's 1983 movie about an aspiring comic (Robert De Niro) who kidnaps a talk-show host (Jerry Lewis) is clearly an extension of Taxi Driver—both in its themes of obsession and its ambiguous stylistic mixture of fantasy and reality. But the shift in archetypes from Catholic to Jewish, plus the visual shift from extravagant expressionism to flat, overlit TV images, radically alters the point of view; you feel for the first time that Scorsese has gained some distance himself from his characters.
A 1988 adaptation of Nikos Kazantzakis's controversial novel. Possibly Martin Scorsese's most ambitious film, it more or less inverts the principles of his religiously informed New York films by being a religious film informed by some of the cadences, intonations, and attitudes of New York. The efforts to plant this story in a contemporary vernacular are not always successful but the performances are uniformly fine in their adherence to the material, and consistently avoid any vulgarity or showboating.
The Band, captured in their farewell performance at Winterland. This 1978 effort remains a standout among rockumentaries, thanks to the technical competence introduced by director Martin Scorsese. The camera mounts are steady, and the color is astounding, like an illustrated record album. With appearances by Bob Dylan, Neil Young, Joni Mitchell, Van Morrison, Muddy Waters, Emmylou Harris, Eric Clapton, Neil Diamond, Dr. John, Ringo Starr, Ronnie Hawkins, and Ron Wood.
Director Martin Scorcese, 117 mins, Rated PG
50th Anniversary Restoration! David Lean's 1962 spectacle about T.E. Lawrence's military career between 1916 and '18, written by Robert Bolt and produced by Sam Spiegel, remains one of the most intelligent, handsome, and influential of all war epics.
The future is set for Tony and Michael - owning a neighborhood bar and making deals in the mean streets of New York city's Little Italy. For Charlie, the future is less clearly defined. A small-time hood, he works for his uncle, making collections and reclaiming bad debts. He's probably too nice to succeed. In love with a woman his uncle disapproves of (because of her epilepsy) and a friend of her cousin, Johnny Boy, a near psychotic whose trouble-making threatens them all - he can't reconcile opposing values.
This year, all of Norway celebrates the 150th anniversary of the birth of Edvard Munch (1863 - 1944), one of the towering figures of modern art. Munch 150, co-hosted by the National Museum and the Munch Museum (both in Oslo), is already being hailed a "once-in-a-lifetime show". Global interest is huge - not least as a result of one of his four paintings of The Scream having recently set a public art auction record of $120 million.
Martin Scorsese's brutal character study incisively portrays the true rise and fall and redemption of middleweight boxer Jake La Motta, a violent man in and out of the ring who thrives on his ability (and desire) to take a beating. Despite pressure from the local mobsters, Jake trusts his brother Joey (Joe Pesci) to help him make it to a title bout against Sugar Ray Robinson the honest way; the Mob, however, will not cave in. Jake gets the title bout, and blonde teenage second wife Vickie (Cathy Moriarty), but success does nothing to exorcise his
Martin Scorsese put all the city dweller's irrational, guilty fears into this 1976 story of a New York taxi driver (Robert De Niro) on a one-man rampage against the “scum”—pimps, whores, muggers, junkies, and politicians. Scorsese's style is a delirious, full-color successor to expressionism, in which the cityscape becomes the twisted projection of the protagonist's mind.
The National Gallery, London, is offering a major exhibition on one of the most startling and fascinating artists of all-time Johannes Vermeer, painter of the Girl with a Pearl Earring. Vermeer painted little more than 30 works that still exist, and the National Gallery has chosen to focus on his art in relation to music. Music was one of the most popular themes of Dutch painting and revealed an enormous amount about the sitter and the society.
Duncan (Liam James) is heading to the East Coast for the summer with his mom Pam (Toni Collette), her boyfriend Trent (Steve Carrell) and Trent’s teen daughter Steph (Zoe Levin). A summer spent at the beach should be any teen boy’s idea of awesome, but Duncan is shy and no fan of the overbearing Trent, so the next three months promise to be hell. But when he crosses paths with an immature and odd water park manager named Owen (Sam Rockwell), he dares to think that the summer may not be so bad after all.
Directors Nat Faxon and Jim Rash. 96 mins, Rated R
Acclaimed documentarian Alex Gibney (Enron: The Smartest Guys in the Room) takes the reins for this no-holds-barred look at one of the most unusual phenomena of early 21st century media. In 2006, an Iceland-based outfit called The Sunshine Press launched the website WikiLeaks.org.