By the time APUR SANSAR was released, Satyajit Ray had directed not only the first two Apu films but also the masterpiece THE MUSIC ROOM, and was well on his way to becoming a legend.
This extraordinary final chapter brings our protagonist’s journey full circle. Apu is now in his early twenties, out of college, and hoping to live as a writer. Alongside his professional ambitions, the film charts his romantic awakening, which occurs as the result of a most unlikely turn of events, and his eventual, fraught fatherhood.
Featuring soon to be Ray regulars Soumitra Chatterjee and Sharmila Tagore in star-making performances, and demonstrating Ray’s ever-more-impressive skills as a crafter of pure cinematic imagery, Apur Sansar is a breathtaking conclusion to this monumental trilogy.
About the Apu Trilogy: Two decades after its original negatives were burned in a fire, Satyajit Ray’s breathtaking milestone of world cinema rose from the ashes in a meticulously reconstructed new 4K restoration. The Apu Trilogy brought India into the golden age of international art-house film, following one indelible character, a free-spirited child in rural Bengal who matures into an adolescent urban student and finally a sensitive man of the world.
These delicate masterworks—PATHER PANCHALI, APARAJITO, and APUR SANSAR—based on two books by Bibhutibhusan Banerjee, were shot over the course of five years, and each stands on its own as a tender, visually radiant journey. They are among the most achingly beautiful, richly humane movies ever made—essential works for any film lover.