Friday nights at 9:45, join us for the best cult, genre, and other outré film on the Amherst Cinema big screen.
The first Iranian Vampire Western, Ana Lily Amirpour's debut feature basks in the sheer pleasure of pulp. A joyful mash-up of genre, archetype and iconography, its prolific influences span spaghetti westerns, graphic novels, horror films, and the Iranian New Wave.
THE BOXER’S OMEN is THE HOLY MOUNTAIN, ALTERED STATES and ROCKY all rolled into one. t’s all of '70s gonzo kickass cinema compressed into an insane little ball and blasted through a garishly-colored '80s Hong Kong filter. It’s one of the craziest damned things you’ll ever witness in a movie theater.
Shortly before completing the sequel to his classic 1979 chomper romper ZOMBIE, the legendary Lucio Fulci became ill and left the Philippines-based production. When writers Claudio Fragasso & Rosella Drudi (TROLL 2) and director Bruno Mattei (THE OTHER HELL) stepped in to finish, the result became one of the most insanely enjoyable zombie romps in EuroCult history.
Frank Zito (co-writer/co-executive producer Joe Spinell of ROCKY and THE GODFATHER fame) is a deeply disturbed man, haunted by the traumas of unspeakable childhood abuse. When these horrific memories begin to scream inside his mind, Frank prowls the seedy streets of New York City. Post-screening Skype with Director William Lustig!
Chris Marker—filmmaker, poet, novelist, photographer, editor, and videographer and digital multimedia artist—has been challenging moviegoers, philosophers, and himself for years with his complex queries about time, memory, and the rapid advancement of life on this planet. SANS SOLEIL is his mind-bending free-form travelogue that journeys from Africa to Japan.